Alpha a7C R Full-Frame Mirrorless Camera - Silver
Alpha a7C R Full-Frame Mirrorless Camera
Let your expectations be upended. A class-leading 1 astonishing Exmor R™ 61.0 MP 2 full-frame sensor, just like that of our acclaimed α7R V, now comes in an α7C series compact body. Don’t allow a single detail to be missed, with the go-anywhere α7CR.
SKU: ILCE-7CR/S
Meet the Sony A7C R
The NEW Sony A7C R pushes the boundaries of still photography and stunning 4k video. It combines all the advanced technologies from the “R” line with the extreme compactness of the “C” line. If you’re in demand of superior image quality and don’t want the bulk of a traditional full-frame body, the A7C R is for you.
Shot on the Sony A7C R
See what it can do.
Features We Love
Learn More
If you’re looking for even more around the A7C R, Sony A7C II, or the new 15-35 F/2.8 GM II Lens, read our full hands-on review. For all the technical, comparison, and nitty gritty details.
Tech Specs
| Main Specs | |
| Lens Mount | Sony E mount |
| Sensor Resolution | 62.5 Megapixel |
| Image Sensor | 35.7 x 23.8 mm (Full-Frame) CMOS |
| Image Stabilization | Sensor-Shift, 5-Axis |
| Shutter Type | Electronic Shutter, Mechanical Focal Plane Shutter |
| Mechanical Shutter Speed | 1/8000 to 30 Seconds |
| Electronic Shutter Speed | 1/8000 to 30 Seconds, 1/8000 to 1 Second in Movie Mode |
| Photo ISO Sensitivity | 100 to 32,000 in Manual Mode (Extended: 50 to 102,400) 100 to 12,800 in Auto Mode |
| Video ISO Sensitivity | 100 to 32,000 in Manual Mode 100 to 12,800 in Auto Mode |
| Metering | Average, Center-Weighted Average, Highlight Weighted, Multiple, Spot |
| Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3, 1/2 EV Steps) |
| Metering Range | -3 to 20 EV |
| White Balance | 2500 to 9900K Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
| Still Image Capability | |
| Image Sizes | 3:2 60 MP (9504 x 6336) 26 MP (6240 x 4160) 15 MP (4752 x 3168) |
| Aspect Ratio | 3:2 |
| Image File Format | HEIF, JPEG, Raw |
| Bit Depth | 14-Bit |
| Video Capability | |
| Internal Recording Modes | XAVC HS 4:2:2 10-Bit UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s] XAVC HS 4:2:0 10-Bit 3840 x 2160 at 23.98/50/59.94 fps [30 to 150 Mb/s] XAVC S 4:2:2 10-Bit UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s] 1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [60 to 150 Mb/s] 1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s] 1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s] |
| External Recording Modes | 4:2:2 8/10-Bit via HDMI UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps 1920 x 1080 at 23.98/50/59.94 fps 1920 x 1080i at 50/59.94 fps |
| Fast-/Slow-Motion Support | Yes |
| Gamma Curve | S Cinetone, Sony S-Log 3 |
| Recording Limit | None |
| Broadcast Output | NTSC/PAL |
| Built-In Microphone | Stereo |
| Audio Recording | 2-Channel 16-Bit 48 kHz LPCM Audio |
Reviews
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